Going beyond summaries of existing thought, we encouraged them to push further in creative elaborations of their keywords from within their own workoften a focused analytical example, drawn from ethnographic, historical, or philosophical research that has the potential to challenge existing discourses and suggest possibilities for further inquiry.
Any intellectual engagement with sound will necessarily reshape its material significances and extend its metaphorical lives in particular ways. Just as Williamss writings about culture informed the critiques of writing culture that followed his publication, we submit these keywords as reflexive considerations of past writings about sound, as elaborations on the broad conceptualizations of sound in everyday life, and as entry points for future debate.
Notes We thank all twenty authors for their patience in the back-and-forth and sometimes round-and-round loops of feedback in the editorial process. We also thank Ken Wissoker and the team at Duke University Press, as well as the anonymous reviewers who gave suggestions on the progress of the book. Finally, thanks to Peter Bloom, Steven Feld, and Jonathan Sterne for their helpful advice on earlier versions of this introduction. Williams also laid the groundwork for more recent reference works that similarly inspired us, including Words in Motion, edited by Carol Gluck and Anna Tsing , Critical Terms for Media Studies,edited by W.
Augoyardes and Henry Torges Sonic Experience: A Guide to Everyday Sounds , which describes the experiential conditions and phenomenological effects of sound. The chapters of this book are referred to throughout as entries, and are crossreferenced throughout the book by title.
Keywords in Sound - Google книги
Boas, Franz. On Alternating Sounds. American Anthropologist 2 1 : Born, Georgina, ed. Cambridge: Cambridge University Press. Bull, Michael, ed. Sound Studies. London: Routledge. Chow, Rey, and James Steintrager, eds. The Sense of Sound. Special issue, differences 22 Cox, Christopher, and Daniel Warner, ed. Audio Culture: Readings in Modern Music. New York: Continuum. Demers, Joanna.
New York: Oxford University Press. Duranti, Alessandro. Key Terms in Language and Culture.
London: Wiley-Blackwell. Erlmann, Veit. But What of the Ethnographic Ear? Anthropology, Sound, and the Senses.
Veit Erlmann, pp. Oxford: Berg. Feld, Steven. In Senses of Place, ed. Steven Feld and Keith Basso, Durham: Duke University Press. Gluck, Carol, and Anna Lowenhaupt Tsing, eds. Words in Motion: Toward a Global Lexicon. Gopinath, Sumanth, and Jason Stanyek, eds. Oxford: Oxford University Press. Kahn, Douglas. Berkeley: University of California Press.
Cambridge, MA: mit Press. Katz, Mark. Keeling, Kara, and John Kun. Sound Clash: Listening to American Studies. Special issue, American Quarterly 63 3.
Keywords in Sound
Kelley, Caleb. Cracked Media: The Sound of Malfunction. Kim- Cohen, Seth. Labelle, Brandon. Background Noise: Perspectives on Sound Art. Lakoff, George, and Mark Johnson. Metaphors We Live By. Chicago: University of Chicago Press. Levi-Strauss, Claude. The Raw and the Cooked. John and Doreen Weightman. London:Jonathan Cape. Licht, Alan. Sound Art: Beyond Music, between Categories. New York: Rizzoli.
Lucier, Alvin. Music Notes on Experimental Music. Middletown: Wesleyan University Press. Meintjes, Louise. Sound of Africa!
- Leading sound production team, known as Sound Lab, joins Keywords Studios.
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Mitchell, W. Hansen, eds. Critical Terms for Media Studies. Pinch, Trevor, and Karin Bijsterveld, eds. Oxford Handbook for Sound Studies. Porcello, Thomas. Social Studies of Science Rodgers, Tara. Soundscapes: Toward a Sounded Anthropology. Annual Review of Anthropology Scales, Christopher A. Schafer, R.
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The Tuning of the World. New York: Knopf. Stadler, Gustavus, ed. The Politics of Recorded Sound. Special issue, Social Text Sterne, Jonathan. Suisman, David, and Susan Strasser, eds. Sound in the Age of Mechanical Reproduction. Philadelphia: University of Pennsylvania Press. Voegelin, Salome. Williams, Raymond. Read Free For 30 Days. Keywords in Sound Edited by Novak and Sakakeeny. Description: In twenty essays on subjects such as noise, acoustics, music, and silence, Keywords in Sound presents a definitive resource for sound studies and a compelling argument for why studying sound matters.
Each contributor details their keyword's intellectual history; outlines its role in cultural, social, and political discourses; and suggests possibilities for further research. Keywords in Sound charts the philosophical debates and core problems in defining, classifying, and conceptualizing sound and sets new challenges for the development of sound studies. Flag for inappropriate content.
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